Rush Encore

Wow, what a once-in-a-lifetime experience! I was privileged to see Rush twice on their North American tour, this time compliments of my good friend Joe Copple. Joe and I went to high school together and camped out for Rush tickets at Market Square Arena in 1986. Three of the four Rush concerts I've seen were with Joe. I blogged about the experience last summer here.

And while this was the pretty much the same show, it was the last stop on their Snakes and Arrows tour--a concert that had to be rescheduled from June. And let me just say that Verizon Wireless Music Center is one of the best venues around. The show was complimented by perfect weather! Oh, and did I mention that the tickets were free?!?!?! Thank you Joe!

We sat in the same section about 10 rows further back from the stage. The Canadian trio put on one helluva show! The end of their second set was an unbelievable trip into their storied past covering Spirit of Radio, 2112 (Overture and Temples of Syrinx) and Tom Sawyer. Then, during the extended encore they played YYZ, one of my favorite all-time Rush instrumentals.

Other songs of note were Passage to Bangkok, Witch Hunt and Natural Science, songs you don't typically hear at a modern-day Rush concert. Of course they sprinkled in plenty of tunes from the current album, including Working Them Angels and Far Cry. It was an excellent show.

The thing I can't understand is how this phenomenal, four decade band has been excluded from the Rock-N-Roll Hall of Fame. It defies logic. With 24 gold and 14 platinum records (RIAA searchable Database Recording Industry of America July 29, 2007) and more than 30 years of recording and touring the globe, I'm dumfounded why Alex, Geddy and Neil are not fixtures in the Cleveland museum. Please take a moment to sign the petition to get these legendary musicians (each a virtuoso on his own instrument) into the hall. If you need any further motivation, please watch this video:

Neil Peart has always been one of my absolute favorite rock drummers and a big reason why I took up drumming at an early age. Even if you don't care for the progressive rock stylings of Rush, you have to admire their individual talents and their longevity...rivaled only by the Rolling Stones.

I only hope I get to see them again before they call it quits. Rush ROCKS!!!

Thanks again to Joe Copple for the complimentary tickets!

All the World's Indeed a Stage...

…and we are merely players, performers and portrayers, each another’s audience outside the gilded cage. (“Limelight,” lyrics by Neil Peart)



Rush took to the stage at Verizon Wireless Music Center last night in Noblesville (Indianapolis), Indiana. The concert marked my third live Rush experience, the best one by far.

The Canadian prog rock trio opened with “Limelight” (Moving Pictures, 1981), a standard on classic rock radio, and didn’t wrap for nearly three hours. There was a 30-minute intermission, but when the band retook the stage, they played some of their newest material with a renewed vigor, surprising for the aging rockers.

And the set list did NOT disappoint. They played B-sides like “Entre Nous,” “Freewill” (Permanent Waves, 1978) and “Witch Hunt,” my favorite song from the Moving Pictures album. Of course, the set was ripe with new material from the 2007 Snakes and Arrows release and crowd favorites, “Tom Sawyer,” “Spirit of Radio” and “Subdivisions.”

The second set included a new instrumental, “Malignant Narcissisim,” from which Neil Peart launched into an incredible drum solo that included his trademark snare rolls, cowbells, synthesized drums and vibraphone, all on a rotating stage. He finished it off with a jazz segment augmented by a video honoring such drumming legends as Buddy Rich. He once again proved that age has not slowed him down one iota.

In fact, Neil, Geddy and Alex all play virtually flawless, but I wouldn’t expect any less from the seasoned vets of rock. Geddy’s basswork now dominates much of the performance as the group has gotten away from their highly synthesized past. He only played a lone keyboard a handful of times. The rest of the show was balls-out, gritty, guitar-driven, rhythm-centric rock.

Verizon is a great outdoor venue and we had great seats to complement the outstanding weather. What made it an absolutely perfect night was sharing it with some old friends, one of whom camped out at Market Square Arena with me for tickets to the 1986 show. All these years later, and Rush just keeps getting better with age. I hope this wasn’t the band’s last tour.



(Click here for a complete Rush discography.)

Buddy Rich Tribute

BUDDY RICH 1917-1987

When considering great drummers of the modern era, one man stands at the top of the heap: Bernard "Buddy" Rich. I did not pay near enough attention to this legendary musician in my youth. All I knew about him was that he was a jazz drummer who could play lightning quick buzz rolls and was a favorite on The Tonight Show with Johnny Carson.

As I began taking drumming more seriously in my late teens, I began exploring all types of music, including jazz. I marvelled at the percussive wizardry and technical acumen of such greats as Billy Cobham, Dave Weckl, Alex Acuna, Jeff Porcaro, Harvey Mason and others. Still unaware of the influence of jazz's all-time master, I idolized these modern drumming marvels, along with rock's best Steve Smith (toured with Journey early in his career), Neil Peart (Rush) and of course Porcaro (a drummer who truly transcended genre).

It wasn't until the 1990's that I became more aware of the influence Buddy Rich had on all of my favorite drummers. When Neil Peart released the "Burning for Buddy" tribute CD in '94, I was simply blown away. Because of the dabbling I had done in jazz and big band swing, I immediately appreciated the prowess of Rich and his disciples. And this tribute CD featuring Rich's own band included performances by some of my favorite drummers, most notably Peart, Smith and Weckl. They assembled to pay homage to the man who is arguably the best to have ever picked up a pair of sticks.

After wearing out my copy of "Burning for Buddy, Vol. 1" and ordering "Vol. 2," I stumbled upon a best of Buddy Rich compilation that included some of the famous drum duels between he and Gene Krupa. I was mesmorized. So when I found that the Burning for Buddy sessions had been captured on DVD, I had to own a copy.

It arrived in the mail last weekend!

To hear my idols, Peart et al, talk about the impact Rich had on their lives and careers kind of put his iconic status into perspective for me. What's more, they all admired and respected each other, as well. They approached this project with fear, humility and much exhiliration. Some of them, Peart included, had never played with a big band so they were really out of their element. That just makes watching them perform that much better.

I only wish I had paid more attention to Buddy while he was still alive. Some of his performances from the early to mid 80's are astonishingly great. Here's a clip of his appearance on the Muppet Show in 1978: Buddy Rich v. Animal


As you can see, the man was amazingly fast with the sticks and made the double-stroke roll look effortless at any speed. He was very creative in his approach to the drums, milking the percussive quality out of every conceiveable part of his kit, including the stands. He was a pioneer who cut a path for all drummers of the modern era, regardless of genre. (In fact, one of the drummers featured on the DVD was a metal head who played for Guns'N'Roses.) His legacy is evident by the sheer number of drummers, including myself, who feel obliged to pay tribute and who watch the old footage with much awe and admiration.